The Colorist Society International is the body that represents the interest of feature film colorists around the world (I'm an elected member) and is our equivalent of the DGA, ASC or ACE... we just have a much sillier acronym in CSI! Anyway, the powers that be recently released a one page description of what it is that we do and how and when we do it that might shed a little light on the role for those that are interested or should know already.
Chris at CLAi is awesome... knows his stuff like a truly experienced pro.
Chris and his team from CLAi are very experienced in their craft, true professionals and so easy to work with.
Chris was adaptive to our needs, incredibly easy to work with, professional, kind, and attentive.
They give you, as a client, a sense of integrity in their work, and the trust that your creative or business vision is in good hands.
He is extremely knowledgeable, skilled, experienced and one of the most professional people I've worked with in the film industry (or any industry).
Chris has become a valued contributor to our communications strategy.
From Disney to Pixar to Dreamworks, these animation studios have set the standard for what “animation” is today. This world of animation they’ve created is a coloring book, where the trees speak and the restrictions of the real world do not apply.